DİĞER
Orhan Pamuk does narrate the “local” as Kirsch tells us, sure, but he does this by turning the image into an allegory. He diagrams the fluid reality of a society by reducing it to sharp dualities
Located in France, the Paris Institute for Critical Thinking reimagines the academy as a venue of learning for its own sake. Co-founders Evrim Emir-Sayers and David Selim Sayers discuss the birth of the institute, their schedule, and why we need independent venues to foster critical thinking
It’s not easy for political power to create culture. It is far easier for it to interfere in the existing culture, for it to prevent or ban what exists. This is what AKP will eventually resort to in its search for “cultural hegemony”
If the first sparks of contemporary Kurdish literature were lit in exile, it was to catch fire in its own land. But those initial flames of exile, the foundation of our contemporary literature, are unfortunately being extinguished
We need to make room for Zaven Biberyan in this country's literature. In my view this place should be somewhere at the top, among the very greatest
Mary Oliver who died last week was once described by the New York Times as “far and away, this country's best-selling poet.” One reason for that might be the unmistakable influence on her poetry of two pillars of American thought—Ralph Waldo Emerson and William James
It is only in fiction that immortality is an option and perhaps that is why as one grows older, vampire stories recover their power to scare
Erlend Loe answers K24's questions about his work, the cultural atmosphere of today, and civilisation...
Fatma Aydemir, winner of the Franz Hessel Prize for her compelling debut Ellbogen, discusses her novel and themes, mainly identity issues in an exclusive interview for K24
Social media accounts posting videos and images about food drive us further into consumption. Lists of restaurants, places to eat keep getting longer and longer. Will it ever stop?
The extent of the violence against women, and of the present pandemic of rape in particular, has reached such overwhelming proportions across the globe, that even battle-hardened feminists of long standing are regressing to a passive-aggressive stand
Does the text command us not through its literary force but through the power of real suffering?
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